Alex Mercer (
lessandmorethanhuman) wrote in
returnjourneylogs2022-02-07 10:48 pm
Learning the Peregrine
Passengers: Alex Mercer and You.
Location: Around the Peregrine.
Date: Feb 7th
Summary: Alex is learning the layout still, with a few special stops. At least two places require a warden to help.
Warnings: Language? Possible body horror discussion depending on how things go.
Alex was limited in where he could go, and what he could do. He hated it, thanks. But he'd agreed to be here--if these beings really could return him from death, to his world... Then he could clean up the messes still; he didn't trust the military to do so. Not after they'd tried to nuke Manhattan to 'fix things'.
S.I.R.E
Alex hated that this required a warden. But he was curious, and maybe wanted to do some thinking out loud. Which meant he needed to find a warden who was willing to activate this thing, and then give him some privacy. (At least the illusion of privacy would help.) Was it so wrong that he wanted familiar surroundings?
Athletics Department
He'd at least learned, that while this area required a warden's supervision, to time his use of it to when one of them was using it. Seriously though, this was getting old. Not that he'd expected much freedom, but this absolutely sucked. He wasn't even planning on causing any trouble. Just using the free-standing punching bag. Getting used to being 'limited' to a human-based form and body again.
Resource Library
At least THIS place didn't require a warden's permission. Alex still would've preferred actual books, but the variety was impressive at least. Right now he was browsing to see whatever seemed interesting.
Location: Around the Peregrine.
Date: Feb 7th
Summary: Alex is learning the layout still, with a few special stops. At least two places require a warden to help.
Warnings: Language? Possible body horror discussion depending on how things go.
Alex was limited in where he could go, and what he could do. He hated it, thanks. But he'd agreed to be here--if these beings really could return him from death, to his world... Then he could clean up the messes still; he didn't trust the military to do so. Not after they'd tried to nuke Manhattan to 'fix things'.
S.I.R.E
Alex hated that this required a warden. But he was curious, and maybe wanted to do some thinking out loud. Which meant he needed to find a warden who was willing to activate this thing, and then give him some privacy. (At least the illusion of privacy would help.) Was it so wrong that he wanted familiar surroundings?
Athletics Department
He'd at least learned, that while this area required a warden's supervision, to time his use of it to when one of them was using it. Seriously though, this was getting old. Not that he'd expected much freedom, but this absolutely sucked. He wasn't even planning on causing any trouble. Just using the free-standing punching bag. Getting used to being 'limited' to a human-based form and body again.
Resource Library
At least THIS place didn't require a warden's permission. Alex still would've preferred actual books, but the variety was impressive at least. Right now he was browsing to see whatever seemed interesting.

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"And is there a reason why you're talking about yourself in the third person?" Lucifer asks, curious.
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"Worked for Gentek, a biological and genetic research company founded in 1976. Because of the founder's expertise in Genetics, a group known as Blackwatch contracted unofficially to work on their viral biological weapons research. The Founder became the head of the company, in many ways, and soon enough we were working with samples and ignorant of its use in the field. Think of the company as 'need to know silos'--highly paranoid and secure. Dr. Alexander J. Mercer was the head of the Blacklight Virus project.
I discovered the real source of the virus--a woman named Elizabeth Greene. She was the source of 14 different strains of what was known as the Redlight virus, and the only survivor of a town called Hope, Idaho. She was held in a secure facility in Manhattan. Apparently my 'investigations' were seen as a threat, and soon the project was being covered up. Usually with a black bag, for those of us involved."
That was a lot of information Alex had just given Lucifer, and he knew it. He had a bit more, before he was done though. Lucifer had asked about his sister after all. "Alex moved out when Dana was 16. Up until he was 10, it had been foster care. But at 10, Dana was born, and Alex was placed back with his mother. He'd have been better off in foster care though--he was often more the parent than their mother was. Moving out when Dana was 16, they gradually lost most contact with each other over the next few years until he sent her a secured laptop out of the blue."
A pause, Alex turning to look at the figure of Dana. Illusions. Comforting lie.
"I cleared a 10 ft security fence in one jump, when I escaped from Gentek. Had no idea I could do that--or survive being shot again. Found Dana as she was being arrested by Blackwatch--she tried to headbutt them in protest. I punched through the soldier--literally, killed the other, and we headed for her safe house.
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He definitely notices that there are no feelings here. He's just recounting a history. It might not even be his own, the way he keeps switching back and forth between "I" and "Alex".
"And how did you feel about all this?" Lucifer asks bluntly. "Or, how did Alex feel, being a pawn in a larger game he didn't know the full picture of? How did he feel about his sister being dragged into it?"
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He just looks at Alex steadily.
"You don't need to have those answers now. In fact, I'd be very surprised if you did. But you'll need to figure them out, if you want to make progress here as you've claimed."
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Until he finally did, still meeting the other's gaze but with his head shifting slightly to the side as he talked. "What does forgiveness even mean? Or to do better. I was already trying to do better, by breaking the back of the infection, clean up the mess I made. I am here because I was flying a nuke out over the water so that the military didn't use it to blow up Manhattan to stop the damn infection."
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“That’ll be on you to figure out,” he says simply. “What it means for you will be different from what it meant for me, what it will mean for the other inmates.”
This is just an initial consult. If they get paired up, Lucifer will start really working on pushing him, digging into these issues. Right now, it’s enough to get a glimpse, and point out that these issues even exist.
He’s had this conversation a number of times, with people in Hell.
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tfw you cant just find an empty set pic
Lucifer never goes back on a deal - he's meticulous like that. Of course, it takes a moment to figure out how to reset the S.I.R.E. Computer, end program is the obvious answer, so of course that's it. He almost rolls his eyes at the blatant reference.
But once that's settled, he speaks - LAPD, precinct ##, forensics lab, circa 2018. He knows exactly what memory he wants to conjure, and sure enough, the environment that comes into being is highly detailed. Lucifer's visual memory is incredibly good, and this is clearly a place that he is very familiar with.
The room is empty for the moment, until Lucifer says Miss Ella Lopez, and then she arrives - small, smiling, her ponytail jaunty, cross necklace glinting at her neck and a t-shirt with a cartoon vampire on it that says Mornings suck!. She approaches Lucifer, her face lighting up, reaching out for something that he must've been holding, and sure enough, she comes away with a coffee mug, a big pile of whipped cream and sprinkles on top of it.
"Aw, you shouldn't have! Thanks!" and then she's off, sipping at her coffee, chattering enthusiastically about blood spatter patterns on concrete versus glass. Her words quickly devolve into nonsense syllables, with occasional science gak!, as it's clear Lucifer doesn't remember most of what she actually said on this occasion, but that's clearly not the important part of this memory.
Lucifer, standing next to Alex the entire time, almost seems to be holding his breath for a moment. He swallows, hard, as he watches the scene unfold. It's one thing to see someone else's memory - and something else entirely to watch one of his own.
There's a reason why he chose Miss Lopez, and not some other people from his life.
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"So, private lab or?"
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No, he's not nervous. Just dealing with a wave of emotion that, even if somewhat expected, is still there. Still threatens to overwhelm him.
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"Go on. You can ask all your burning questions," he says finally. Tit for tat, right?
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"How'd you end up working with the LAPD?" It had clearly been a friendly relationship, so it had to be working with. "Unless you worked FOR the LAPD, and 'm not sure even my skepticism could survive the idea of the devil working for the cops." With a short chuckle. "Even here, you're working with the system, most likely--not for it."
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Lucifer lets out a breath. "I was a civilian consultant," he says, matter-of-factly. Alex can decide for himself if that means he worked for or with the cops. Lucifer never bothered to make the distinction, himself. "And I did it for the same reason I did everything back then: on a whim."
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"I'd been living in Los Angeles for about five years. I'd left Hell - another act of rebellion on my part - and was running a nightclub. One night, a young lady of my acquaintance was gunned down outside my club. I couldn't let her killer go unpunished, so I... consulted. And then I kept consulting."
His look now is almost nostalgic. Like he's conjuring up fond memories - but in his head. Their surroundings remain the same, of course.
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Of course, he'd also given him some things to think about, which Alex wasn't too happy about. But that could be dealt with later. Alone.
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"I helped solve dozens of them over the next few years. Miss Lopez was part of the team. I said tit for tat. You showed me your sister, and now I'm showing you mine. Not literally, of course, Miss Lopez is human. But she's done a far better job of it than most of my actual sisters."
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So...Alex got it.
"What was your favorite case she helped with?"
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“My favorite case with Miss Lopez would almost certainly have to be the time we went to Las Vegas together, to investigate the disappearance of my ex-wife. There was murder, gambling, glitz and glamor, and even a musical number. I believe Miss Lopez kept her showgirl costume.”
Yes, he’s deliberately playing up the absurd elements of the story, but they are all true!
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"Well now I gotta hear details. That sounds exciting." Alex replied with amusement. "Why a musical number?"
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